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New altarpiece of the Virgin of Guadalupe

http://www.pulsoslp.com.mx/NotasHistoricas.aspx?Fecha=20091215&Nota=728
Santa

Hugo Renteria María Acapulco / Pulse

After the tragic fire that consumed almost the entire Temple Assumption of Santa Maria Acapulco for more than two years, restoration work and play continues with the difficult challenge of recovering one of the most important ceremonial centers for ethnic Pame.

The Pames are an indigenous group has its largest core in the municipality of Santa Catarina, San Luis Potosi, since Queretaro Pames have completely disappeared.
gradually takes shape this architectural stamp of the Franciscan missions of Sierra Gorda, dating from the eighteenth century, was made with masonry and has already recovered its thatched roof, with the traditional technique of tissue Pame.

murals have been restored and part of the facade, although the work will be completed in its entirety until 2012.

For his features entirely indigenous production techniques, this temple is just as important as that of San Juan Chamula in Chiapas. Have documentation to the National Institute of Anthropology and History as "Historic Monuments, as it was one of the main centers of evangelization Pame when the English conquered.

The first altar was successfully reproduced the Virgin of Guadalupe, an image of great symbolic and cultural value to the indigenous group.

expert restorer For Renata Schneider Glantz, National Coordination of Cultural Heritage Conservation CNCA-INAH, "was very important that the first altarpiece reproduce outside it, the Virgin of Guadalupe is central to their religious ceremonies."
For INAH expert restorer, this reproduction is not given a finished "grandfathered" for the public to appreciate that is a copy of the original, but the elements are presented such as what were in the previous tableau, restoration expert says, with the assistance of many people of ethnicity.

The altarpiece

To make the assemblies used wood altarpiece as "oak" or "red cedar", the details are made with silver leaf, to make the "vermeil" to the expert restorer Renata Schneider: "the only thing put was a patina not shine so much money. " In the sculptures have been used gold leaf, for which they are golden, like wood and reproduced the fingers or hands were needed for each image.
This "Guadalupana Pamela" is a painting of exceptional beauty, the Virgin is flanked by four images that emulate the appearance that made the Indian Juan Diego.

And on top of the altarpiece, a painting of St. Francis of Assisi kneeling before the appearance of Jesus, he extended his arms with wings, a mixture with the holy spirit. Around the altar we can see the mural, with the hallmark of Indian hands.
can not put other decorative elements to the original, since it would be fake, for next year work will continue altarpieces of "The Seven Sorrows" and "San Jose". To date have invested three million dollars in those studies. The event was attended by director Miguel Angel Riva Palacio of San Luis Potosi INAH delegation, and Amalia Velasquez de Leon Collins Director of Conservation and Restoration of federal INAH.

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NAMASTÉ, it's 2010 ...

The days and nights happen each other without interruption, and while some are laid off and others come ... the seconds of life seems to stop .... and although nobody knows for sure when or how this started ... (Well what the bigbang, and the big bands!, And even the music of the spheres ...), if there are early or late and if we see that phenomena are only different stages of change, days like today , 31 December, we try to put a point and followed the incomprehensible magnitude of the time, they are nevertheless, in my view, valuable.

A small break in the way of the senses, the ability to dive inside ourselves and see what happened to us now. Roads, challenges, games, effort, courage, mistakes, learning, the loves that are and are not, what we are and finally ... know that beyond all that, we remain, thanks to the mysterious life and color that still flows in us.

So ... Will arrive in 2009 and 2010!, hardly a trace of brand, is like Armstrong in the infinite space? ... and I think even better is above all a tribute to time, bringer of eternal life. Life and Time, are lovers? ... Then today I welcome also his eternal romance !....

with you welcome this parade poetic and transcendental between inhalation and exhalation, life and death in which we took as actors and witnesses, courageous and adventurous, filling together the ways of a script with an ending that makes known the plot, let us seek to understand sooner or later, choosing to do wires that we can grasp with greater certainty. The threads of the conversations we have had lit, those in the art, science, the kitchen, the mate, the hug, the sport, the maternity and paternity leave, the dance, those religions, of languages, the signs, the meditation, the practice carefully ... Who are we to engage in life! that we fall in love with its mystery .... Welcome to have a 2010 where we meet, embrace, seek and understand ever more deeply, love without restrictions this miracle, this gift and mystery. For more good, than evil, action and reflection, and return trips, search and findings, detachment and commitment, understanding and love

Bethlehem.

Namaste!

has multiple meanings Namasté is a Hindi word comes from Sanskrit. I learned it briefly as "revere your divine essence is the divine essence in me." But in wikipedia and many other definitions found this to share with you today and always,

"I honor that place in you where the entire universe dwells, I honor that place in you that is a place of love, truth , light. And I know when you are in that place within you, and I am in that place within me, you and I are one .

Namaste! ...

Ile.

Gold Refiner, Houston

tubular bells are a percussion instrument, usually consisting of eighteen pipes, that can be aluminum, steel, copper or brass, suspended vertically in a frame. These pipes are casings with one or two decks, always on top. Each "bell" (ie, each tube) is about 30-38 mm. in diameter and have a different length, thus offering different notes. This instrument also has a pedal or a bar to stop the sound. Extension (Helmholtz) goes from middle C (C1) of the piano to the next octave fa (F2).

Name of "tubular bells" refers to their sound is similar to that of large church bells. In fact, his invention was held primarily to avoid the inconvenience of moving large and impractical original bells to the orchestra.

tubular bells were first used during the nineteenth century century, when the opera was needed the sound of church bells. The Tchaikovsky's 1812 Overture was one of the most famous works in which they were used, just at the climax, they represent the church bells proclaiming which has won the war against France. Mike Oldfield would make famous in the twentieth century with its Tubular Bells 1973, a concept album of instrumental rock English, remembered for the opening track on the plate that was used in the movie The Exorcist . The production of this instrument grew, especially thanks to the demand generated by collectors and other artists, which included the invention in many subsequent creations.

Tubular Bells a telemin

Tubular Bells other percussion instruments



Tubular Project playing the theme from "The exosrcista" Mike Olfield



part orchestral



Bells

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Didjeridoo Tubular Bells (also Yidaki)

The didjeidoo is a wind instrument used by Australian Aborigines. This instrument is basically wood or pipe is sounded by vibrating the lips at one end. This vibration is amplified by the tube walls, creating a unique sound and deep. It is possible to modulate the vibration obtained by moving the lips and tongue, or adding to the vibration arising from the throat sounds. In addition, the sounds produced are remarkable rhythmic imprint, often sounding almost like a percussive instrument.

didgeridoo The term does not derive from native language, but is the name given by Europeans in their first visits to the island. In different aboriginal languages \u200b\u200bused different words to describe this instrument, among which we note yidaki , ginjungarg , ebor , djalupu , Maluk , etc. The name most commonly used by the Aborigines is the first one mentioned, yidaki , which means "Instrument of spiritual connection."

Originally, the didgeridoo was created from dead trunks of trees, mostly eucalyptus, whose interior was eaten by termites. When cleaning the trunk, you get a long tube which is thus the instrument. A didgeridoo usually measured between 6 and 12 inches in diameter, and its length can vary from about 50 centimeters to two meters or more. The length of the instrument determine the seriousness of his tone, that is, the longer it sounds more serious . Some show a widening in the lower mouth, similar to a trumpet. Often the upper mouth, by which it blows, features a cover of beeswax as a mouthpiece to prevent irritation of the lips due to friction. A particular feature is that you can play for an unlimited time using a technique called circular breathing, which is continuously maintain a certain air pressure in the mouth, inhaling air through the nostrils.

The fundamental tone is composed of a variety of simultaneous sounds like harmonics and vocals. Their sound is visceral and vibration can be expanded with a low frequency can generate a strong effect on the nervous system. Already in ancient times northern Aboriginal elders shakes made use of the properties of digeridoo, as a cultural symbol and identification of their origin, in different contexts to ritualize the foundations of their existence. It has been used since ancient times as a ritual object and theatrical mimesis with the environment, as an accompaniment to the voice as well as a solo instrument. Within the Aboriginal clans, and still today, shows distinction in rank or caste of the capabilities of the musician who plays it. Generation after generation passed its own system is being played by clans whose provenance has its origins the didgeridoo, in northeastern Arnhem Land (Northern Territory, Australia). They refer to physically sound, from father to son, from master to student, so to transmit the knowledge in the complex techniques used to play it.

Legends

According to the Australian Aboriginal peoples, in the beginning was the sacred. In the beginning was the Dreamtime, the time Tjukurpa. At that time, existed on earth only a still life, a substance embryonic huge, translucent, consisting of a mixture of unrealized beings, belonging to a plant or animal species. And so that "he who came from nowhere and exists by itself" the so-called Supreme Being, who carved in that shapeless body, arms, hands, legs and head. Thus created beings capable of stand. During the Tjukurpa was created everything: mountains, valleys, plains, stream. There was nothing before Tjukurpa. During the Dreamtime, ancestral beings in the form of humans, animals and plants traveled the length and breadth of the land and consummated essential facts of creation and destruction. Travel of those beings are still remembered and celebrated the sacred memory of those journeys still lingers in the form of geographic features, such as the sacred mountain of Uluru.

In that era the Dreamtime the Supreme Being, the Great Sacred Energy, released its essence, its power, in each of humans, in each of animals, plants and minerals, the stars and in the air and water. Then the Great Ancestors giant creatures ended up creating the world as it is now. Thus, January linkages between different peoples, from north to south, from east to west, the relationships created a giant web spun yarns which guide and protect us since then.
Later, before disappearing, before the end of the Dreamtime, when men were born in its current form, they said, "This is your country. We have created for you. Here you will live and Conserving still as you we deliver. There never will leave you, for you are its Guardians. You are the guardians of our creation. " And then the Dreamtime, was born on didgeridoo.

The didgeridoo was created during a heartbeat inaccurate in the past. Two teenage girls were abducted by a giant who wanted to become their wives. After a long time, the girls escaped and returned to their tribe. The giant was hungry when he discovered what had happened. He then went to claim what he considered his property. Meanwhile, the older youth of the tribe, made a trap to catch the giant. They dug a big hole along the path leading to your home. The giant, in his hungry haste, fell into the pit and was killed immediately by the spears of the hunters close, remained hidden. Before his death, being Cyclops rolled on his penis. He looked like a porcupine when he began hitting his phallus and deliver an amazing and buzzing sound. The hunters of the tribe tried to imitate this sound. Only did it when they found a long hollow stick whose center had been eaten by termites. And after blowing a hollow end of the long pole found they could make a sound very close to that generated by the giant caught. Thus was born the first didgeridoo.

But perhaps one of the most widespread stories about the origin of ancient Australian instrument is one that ensures that, once, three men camped on a cold night in the desert. One of the passengers asked another that would put a log on the fire, he struck her several times and found a stick, hollow inside. Upon his return he discovered that the tree was crowded with termites in their entirety. The man did not want to throw the branch then the fire because then kill the termites. However, his friends told him to surrender to the flames in the bottom because it was cold and needed to generate heat. So removed all the termites, deposited in one of his hands and then stayed in the log. Then he raised his arm to his lips and breathed heavily. And the termites that were in the air became the stars. And so the first didgeridoo was created.

The didgeridoo is also associated with the mythical Rainbow Serpent, perhaps the world's oldest divinity. The reptile sacred of the seven colors played an important part in creating sliding on the ground, making rivers and outlining the most distinctive features of the landscape. In the ceremonies of the Gjun Guwan the didjeriddo with particular measure, about 2.5 feet high and represents Yurlunggur, Rainbow Serpent.
didjeriddo Another story linked to the creation and said that in the beginning, the Great Spirit Balam created man and woman, on whom fell the responsibility of creating the birds and land animals. Creation consummated by chanting and the sound while playing the didgeridoo.

Jeremy Donovan, Aboriginal artist

Mack Yidhaky




didjeridoo solo percussion



didgeridoo and percussion More



didgeridoos Duo



Ensamble Yidaki



electronically modified Didjeridoo



band improvisation with didjeridoo



Jazz fusion with didjeridoo

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This video seeks to highlight the events of July 1, 2007 in the town of Santa María Acapulco , SLP when after a thunderstorm the church of Our Lady of the Assumption was devoured by fire.

Within hours the rich cultural heritage of the eighteenth century turned into ashes.

are the inhabitants themselves Santa Maria, indigenous xi'oi who tell us the tragic details of the incident.

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Delivery Reports INAH the altarpiece of the Virgin of Guadalupe. Santa María Acapulco San Luis Potosi.

To see what was said at the news of Lopez Doriga:


http://www.tvolucion.com/noticieros/noticias-y-reportajes/052075/entrega-inah-reconstruccion-retablos -slp

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From the restoration of the church of Our Lady of the Assumption. Pamela flute and flute

Delivery

Manual 5th Wheel Dutchman

Tenek touched

Go to this link for more information: http://www.tlapitzalli.com/ehecatl92/pame/fpame.html